Emblematic Elusions:Eros in African Cinema Edition II focuses on Les Saignantes (2005) by Jean Pierre Bekolo, Examining how it reimagines pre-colonial female rituals to challenge political and sexual corruption. Through an erotic sci-fi lens,it positions women's bodies as vessels of healing. Drawing on Achille Mbembe's theories, the dition unpacks themes of necropolitics,deathworlds,power and pleasure in futuristic Cameroonian cinema.